Occasion solemn,
The music tiresome;
Assembly sodden,
A spooky cooee.
A man, young, desi,
With covered breast says:
Am dead can you see?
My soul is soaring!
None hear him speaking;
Some chatter, cry, talk.
Many go mocking
The life he had led.
Abound accounts fed
To damage might his.
They’re tales that now tread
Amid yarns spun well.
But what’s heard most well:
Unholy sad knell.
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Book: Pretty Flamingo
Genre: Psychological Thriller
Author: Perry Martin
Rating: 5/5
Reviewer: Stavyah Vatsarah
Love. Hate. Betrayal. Romance. Horror. Hope. Separation. Reunion. Perry Martin’s debut novel, Pretty Flamingo, promises all of this and much more. It is a sublime tale that oscillates primarily between two time periods and two places: the late 1960s set in Brisbane, Australia, and the early 2000s largely set in California, the US. A poignant story of loss and separation, the novel does its best to address a metaphysical question you may have given a thought: Is it possible that we have ever lived before?
As a reviewer, I am pretty darn sure the book will make you laugh and cry at the same time, surprise you with its wondrous twists, and possibly ensure you brood over questions that you might have considered way too philosophical hitherto. And even as it may cause you to shed tears of joy and sadness, it will most likely touch a part of your soul left untouched, thereby kindling a new magical spark. But does the book promise a happy end? Well, you will have to read the book to find that out!
Reading Pretty Flamingo, I found myself crying, shocked at the way certain events unfolded, and pleasantly surprised by the way the author ended it. It gave me what I needed – a break from the real world. I also found the plot resonating with me because I staunchly believe in the afterlife and the fact that the souls often assume a form based on the good and bad karma accumulated over thousands and millions of births. Nevertheless, I liked the way the author decided to build the main narrative around just two characters, detailing the time they spend together, the bond they share, and the uncanny activities they indulge in.
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It is also worth mentioning that the story wonderfully goes back and forth, expounding the ‘forgotten’ days of the main character named David Perry and the life he is leading at present. The narrative is heavily influenced by music, leaving us convinced that the author, being a musician himself, does enjoy everything musical.
The main part of the story, anyhow, details David’s efforts to recover lost memories from a certain period during his teens. How does he come to forget such a significant part of his life? What happened back then?
I strongly suggest that every avid reader give Pretty Flamingo a read, for it will take you on a tootle that you may have never taken before, the return journey being as mystical as the initial one, if not more.
Perry Martin, I believe, is set to emerge as an author who will be read by millions in the near future. His is a style that resonates with readers who love simplicity, who like commonly used words being given a new meaning, and who wish to escape the real world with the sole intention of returning to it with something intriguing. So read Pretty Flamingo, for I know it will not disappoint you, and after you finish, you will only plausibly find yourself evolved, metamorphosed, and… experienced.
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Eric Fisher may be a counselling therapist, but the art of writing has fascinated him from a tender age. Speaking with Literary Harbinger in an exclusive interaction, the quadragenarian, who resides in Calgary, Alberta, Canada, says he began writing in his preteens. ‘I started by writing short stories and also creating comics using only pencils, featuring characters from the Sonic the Hedgehog franchise,’ he says, adding, ‘I also wrote poems when I was younger. I do not write as many short stories, poems, or create comic books now as I did in my younger years, yet I do look back fondly at those creative conduits and the creative process behind each.’
Fisher began writing screenplays around the age of 15 (yes, you read that right!), pursuing that creative medium well into his late twenties before it fizzled out in recent years. He says he does not write as many screenplays now as he did in the past. ‘That seems to happen with some pursuits in our lives; they rise in importance and then seem less important as time goes on,’ he explains, adding, ‘For many, they find the hobby they enjoy and remain consistent with it, whether that is woodworking, model ship building, crafting, or painting portraits. I think that is awesome, and for the last few years, what I have been able to remain consistent with is writing non-fiction, specifically in the self-help improvement subgenre.’
Fisher’s first book is titled The Martial Art of Recovery: Self-Mastery Practices to Subdue Addiction and Achieve Mental Wellness, and his second is titled Buried Alive: Four Ways to Free Yourself from the Dirt. ‘First off, please let me share that I am a mental health clinician and have been in the field for over 16 years,’ the author, who holds a Bachelor of Science in Psychology and a Master of Science in Clinical Mental Health Counselling, tells us. His first book, he lets on, came into being as he tried to connect his knowledge of recovery from substance use and process behaviours such as gambling with his previous experience in a hobby or sport. ‘That happened to be martial arts, American Kenpo in particular.’
The Canadian Certified Counsellor (CCC) and Counselling Therapist (CT), we learn, began figuring out metaphorical ways, using wordplay, to bring martial arts concepts and techniques to life in the context of mental wellness and recovery. ‘The intersection of martial arts with recovery was cultivated across about 14 months of writing the book. I discuss holistic ways to find wellness and defend against self-sabotage from substances, behaviours, or toxic relationships. Ways to practically apply the material are also given,’ shares Fisher, who is also basic-trained in EMDR and a Master Practitioner of ART, two psychotherapies often used in the treatment of trauma.
Be that as it may, his second book, Buried Alive, came into being because he wanted to connect certain self-help concepts with a major incident that happened in his life. The incident involved his father being accidentally buried alive while digging for Native American artefacts beneath an overhang in the woods of rural Tennessee.
‘In 2005, I video interviewed the three men involved in the near-fatal incident. I transcribed the interviews as best as I could. No AI was used!’ he says. ‘I was able to shed light on ways to be resilient even when dirt in our lives wants to keep us buried. Whether that is depression, shame, guilt, regret, grief, anxiety, or substance use, I show four ways to unearth ourselves from the dirt: the importance of community and connection, the importance of different types of balance in our lives, the CIA acronym (curiosity, introspection, and agency), and a mysterious concept that begins with “W” that will make sense when you go through the section,’ he explains.
Mediocre books sometimes become New York Times bestsellers. Discipline will outweigh the importance of motivation. As long as you have discipline—which shows you enjoy the process, focus on the present moment, and practise self-validation—you will always be on the winning team.
~ ERIC FISHER
Fisher’s latest book, entitled Listening On Repeat, details his experiences as a seasoned mental health therapist. ‘Primarily my mistakes and learnings along the way, along with some self-help suggestions for particular challenges, such as impostor syndrome,’ he says.
Up until this point, Fisher has written non-fiction books, and the chapter placements were figured out for each of them. ‘The subsections within the chapters may emerge as I write and are not always planned,’ the author states, adding that one of his upcoming books will be outside the realm of non-fiction. ‘So, it will be interesting to see how I develop the plot points, characters, etc.,’ he says. ‘For that book, I am using a previously written, unproduced screenplay as the blueprint, which already has a beginning, midpoint, and ending. I will flesh out the content for the book, and with that, there will not be much planning, and I will see what comes up spontaneously as I get into the flow of the portion I am writing about. I do not think that either viewpoint reigns supreme!’
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An avid reader, Fisher appreciates Gabor Maté for his intriguing approaches to mental health and the way he views each person through a case-by-case lens, avoiding pigeonholing people into broad generalisations. ‘I also like how Bessel van der Kolk shows the importance of sharing that the body indeed keeps the score with trauma, and he does a fantastic job illustrating how the body is impacted and continues to be affected by traumatic experiences. His amount of research on the hugely complex topic of trauma is amazing,’ he says, letting on that he is currently reading Gideon’s Spies: The Secret History of the Mossad. ‘The amount of research its writer, Gordon Thomas, has done is exceptional,’ he says.
On being asked whether becoming an author was a conscious decision, Fisher, who tends to write when inspired, with little to no planning, while ensuring that the chosen approach does not betray his intentions, says he finds the question interesting. ‘I would have to say that yes, it was, yet the creative directions zigzagged in multiple ways before I wrote my first official book, whether that was writing and drawing amateur comic books, poems, screenplays, or short stories. I had always had the idea in the back of my mind of authoring a book, and that finally came to fruition a few years ago,’ he tells us.
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But how does he juggle writing and other responsibilities? ‘Mindfulness plays a key role in balancing writing with other responsibilities, including work, family, and recreational activities,’ Fisher declares. He says that time management, which he believes aligns with mindfulness, also greatly aids in maintaining that balance. ‘I know how much time I have for a certain activity, the space in between appointments, and how much writing I can get done before the next scheduled item. Sometimes setting an alarm on my smartwatch for activities helps me stay within the allotted time.’
Giving us a glimpse of his upcoming third book, Fisher, who is also fond of hiking on local and not-so-local trails, biking in local parks, watching films and TV shows, playing board games, travelling to new destinations, and trying exotic foods, lets on, ‘It is non-fiction, autobiographical, with some self-help elements. A type of memoir.’
He continues, ‘The book showcases my experiences as a therapist and what I have learned along the way. Currently in first-draft mode, it is based on a screenplay I wrote years ago. If I had to make a comparison mashup, I would say the book will be Michael Crichton’s Timeline meets Mel Gibson’s The Passion of the Christ, with action and sci-fi elements.’
Nonetheless, at this time, Fisher does not really plan to become a full-time author. ‘I do not feel that is my pathway at this time, but hey, if that does come to pass, I will not be annoyed or disappointed!’ he says.
As the conversation continues, we ask him whether there is anything he would like to tell budding authors whose works may not do well, and his response comes quickly. ‘Been there. Done that,’ he smiles.
‘I would tell an author that if they judge their merit based on the number of books they sell, they will always come up short. Many amazing books do not receive the recognition or monetary success they rightfully deserve. Mediocre books sometimes become New York Times bestsellers. Discipline will outweigh the importance of motivation. As long as you have discipline—which shows you enjoy the process, focus on the present moment, and practise self-validation—you will always be on the winning team. On a more practical side, be curious about why your book did not perform well. Perhaps marketing is something that you need to learn more about. Above all, market yourself, and the books will follow,’ he shares. But he does not end there. ‘All the best to the aspiring writers out there!’ he exclaims.
Last but not least, we venture to ask him whether there is anything at all that he would like to change in this world, and he tells us that he would like to change the lack of kindness. ‘There is not much effort involved in being kind to another person, regardless of whether they agree with my beliefs and opinions. Kindness is a commodity that pays forward in massive dividends. Being kind can brighten someone’s day without me even knowing it,’ he says.
‘Kindness considers my attitude, motivations, and behaviours. I may help someone be a little kinder to themselves by treating them with kindness. There is a lot of hate and violence in the world, and I feel that kindness could significantly improve how we interact on individual, group, and societal levels. Kindness will most likely be one of the many things we leave behind for others to remember us by,’ he shares, ending the interaction on a thoughtful note.
I may help someone be a little kinder to themselves by treating them with kindness. There is a lot of hate and violence in the world, and I feel that kindness could significantly improve how we interact on individual, group, and societal levels. Kindness will most likely be one of the many things we leave behind for others to remember us by.
~ ERIC FISHER
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J M Shaw has been writing for most of her life. ‘What began as a childhood hobby evolved into a passion that, at times, borders on obsession,’ she says. ‘My collection of early works has filled journals and hard drives, all shaped by my personal observations and imagination,’ she adds. Everything, nonetheless, changed in 2019 when the writer was diagnosed with autism and ADHD. After a lifetime of confusion during which she felt like ‘an alien dropped onto this planet without a script’, she finally had some clarity. ‘It was then that I understood that my intense focus, emotional depth, and ability to live inside fictional worlds were not flaws but gifts of a neurodivergent mind. In many ways, my fantasy series mirrors my own arc: navigating society through the lens of autism, embracing my differences, and discovering where I belong.’
The resident of southern Alberta, Canada, says that although her novels are filled with fantasy and adventure, at their heart, they explore learning to trust, making difficult choices, accepting who you are, and finding a sense of belonging.
‘The Ascension, for instance, is a dark fantasy adventure centred on Callum Walker, a young man with magical abilities who is thrust into a deadly conflict involving arcane masters and a hidden realm of magic,’ she explains. ‘As enemies close in from every side, Callum must either accept his fate and use his power to save the secret realm, or walk away, saving himself while condemning an entire world to destruction.’
The Convergence continues Callum’s story as he seeks peace but is drawn back into the magical realm, where ‘an ancient evil is stirring’, forcing him to confront betrayal, loss, and impossible dangers. In The Fractured Veil, the barrier between humanity and the magical realm is damaged, leaving Callum determined to set things right, while Forsaken Souls follows Callum and Jax Foster as they travel deeper into the magical realm.
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Asked whether she is a pantser or a plotter, Shaw says she usually knows where a novel begins and ends, and roughly how to get there. ‘The rest is undecided,’ she reveals. ‘Beyond this loose plan, I usually have an overarching theme woven into my novels, typically in the form of a question. In fact, my Callum Walker series was prompted after asking myself, “What if fairy tales were more than stories, and monsters were flesh and blood?”‘
She adds that every story is built around an emotional core. ‘The overall tone of my fantasy adventure reflects our deeply human desire for acceptance and belonging, as expressed through Callum’s longing for friendship, family connections, and a place to call home. This process allows me the freedom to let my creative juices flow, and at times, the story feels as if it is writing itself while I am just along for the ride.’
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Although she had written for most of her life, Shaw admits she was never brave enough to share her stories. ‘After being diagnosed with autism and ADHD in 2019, I wondered if writing was my special interest. My diagnosis gave me the courage to send my rough manuscript for The Ascension to an editor. To my relief, my editor saw potential in my story and encouraged me to publish.’
A wife and mother of two busy boys, Shaw says balancing family life and writing means making use of quiet moments. ‘Often, that means writing for only a few minutes at a time, but progress is still progress,’ she tells us.
The author is currently writing the fifth novel in the Callum Walker series. ‘The stakes are higher, and Callum is facing decisions that could change everything,’ she states. Alongside it, she is working on a dystopian novel blending elements of Robin Hood, Romeo and Juliet, and The Hunger Games, which she describes as gritty, emotionally charged, and exploring what happens when rebellion clashes with loyalty and love.
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For aspiring authors, Shaw has a simple message. ‘Not every story will succeed, but that does not mean they are worthless. Everything we write allows us to hone our skills and teaches us something about ourselves.’
She regrets only one thing. ‘I kept my work hidden for years… It was not until I finally published my first novel that I discovered my work had merit… As I look back, I regret only one thing: not sharing my work years sooner. It just goes to show that you will never know how far you can go or who you will reach unless you dare to try.’
Asked what she would change about the world, Shaw answers without hesitation: ‘The lack of understanding people often have toward those who think or experience life differently. As someone with autism and ADHD, I have seen firsthand how harmful assumptions can be when people are unwilling to listen or learn. I believe the world would be a much kinder place if more people approached one another with open-mindedness, empathy, and a genuine desire to understand perspectives beyond their own.’
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As I look back, I regret only one thing: not sharing my work years sooner. It just goes to show that you will never know how far you can go or who you will reach unless you dare to try.
~ J M Shaw
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Trevor W Harrison wrote extensively as a teenager, focusing mainly on short stories and poetry. ‘I used to keep fulsome diaries whenever I travelled in my twenties. I later became a successful academic writer,’ he begins, speaking with Literary Harbinger in an exclusive interaction. ‘Now, in retirement, I have returned to other forms of writing—short stories and poetry once more—bringing with me the experiences that I gained through creative fiction,’ adds the 73-year-old writer, who holds a PhD in Sociology.
With another book due to be released shortly, Harrison now has fifteen books to his name. ‘Since retiring in 2023, I have written a book of memoirs and two poetry books. Next month, a memoir about travelling the Hippie Trail in the 1970s will be published by Athabasca University Press. Its title is Safarnameh: A Traveller’s Journey Along the Hippie Trail,’ he says.
As someone who prefers to give his characters room to breathe, Harrison admits that his recent creative works have evolved organically rather than according to a rigid plan. ‘My earliest influences were Hemingway, for his stripped-down writing; Kafka, for his unusual take on modernity; Orwell, for his insistence on truth; and Vonnegut, for his offbeat view of life—a rather mixed bag, to be sure. Most recently, I have been reading Ian McEwan because of the way he makes the commonplace seem uncommon,’ he tells us.
When asked whether he follows a fixed writing schedule, Harrison, who lives in Lethbridge, Canada, says that he does not. ‘I find inspiration while exercising or doing fairly mundane things. Whenever those moments arrive, I either rush to my study or hold on tightly to the ideas until I can write them down. Driving in the car is another opportunity during which my brain floats free and becomes creative,’ he explains.
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Although Harrison eventually became an author, it was never something he consciously planned for in his life’s trajectory. ‘I simply couldn’t imagine doing anything else,’ he says, revealing that writing was less a career choice than an inevitable calling.
When he is not writing, Harrison enjoys travelling extensively and making time to stay physically active by working out at the gym three or four times a week. ‘I listen to music and give guest lectures on various topics, including politics, social issues, and writing. But I also enjoy doing mundane things around the house or outdoors because they provide me with the best opportunities to think,’ he lets us know.
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At present, Harrison is working on a collection of fictional short stories, which he describes as a welcome challenge. ‘This is a bit of a stretch for me, but I’m enjoying it, and I think it is going well,’ he says.
When asked what advice he would offer aspiring writers, Harrison emphasises the importance of living fully as well as writing consistently. ‘Keep trying, but perhaps also take a break from writing. Good writing is what comes out of having a full and interesting life. Sitting in a room and thinking, “I must write [something],” is pointless. The point of life is life. Writing is an adjunct to this,’ shares Harrison, who also enjoys meeting fellow authors and appearing on podcasts.
Finally, when asked what he would change if he had the power, Harrison does not hesitate. ‘I would strip away the power that intellectual, financial, and political oligarchs wield to exploit people and suppress their individual creativity,’ he declares, signing off on a powerful note.
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Keep trying, but perhaps also take a break from writing. Good writing is what comes out of having a full and interesting life. Sitting in a room and thinking, “I must write [something],” is pointless. The point of life is life. Writing is an adjunct to this.
~ TREVOR W HARRISON
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Villanelles, also known as villanesques, have always fascinated us, and we’re pretty sure they always will. But what exactly is a villanelle? What qualifies a poem as a villanelle? And is it easy to write one? In this post, we’ll answer these questions and explore one of poetry’s most intriguing fixed verse forms.
The English word villanelle is derived from the Italian villanella, meaning a rustic song or dance. In turn, villanella comes from villano, meaning a peasant. Originally, villanelles were imitations of peasant songs and did not follow any fixed poetic structure. Although the form was first developed by French poets and balladeers, most villanelles written today are in English. A villanelle is one of the best-known examples of fixed-verse poetry, the opposite of free verse.
Now that we know where the word villanelle comes from, let’s look at its defining characteristics. A villanelle is a short poem consisting of 19 lines. While these lines are generally concise, there is no prescribed length for each one. Likewise, there are no rules governing the number of syllables per line.
Although modern villanelles do not require a fixed meter, many nineteenth-century examples were written in trimeter. That said, tetrameter and pentameter have also been used successfully.
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As we’ve seen, a villanelle consists of 19 lines arranged into six stanzas. The first five stanzas are tercets (three lines each), while the final stanza is a quatrain (four lines).
The hallmark of a villanelle is its use of repetition. The first line of the opening tercet is repeated as the final line of the second and fourth tercets and as the penultimate line of the concluding quatrain. Likewise, the third line of the opening tercet reappears as the final line of the third and fifth tercets before concluding the poem as the final line of the quatrain. Minor variations are acceptable, but the repeated lines should remain recognisably the same.
In other words, every villanelle contains two refrains. It may sound like a lot of rules—and it is—but these very constraints are what give the form its distinctive musicality and emotional power.
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Writing a villanelle is no easy feat. In addition to its strict pattern of repeated lines, it follows a tightly controlled rhyme scheme. Only two rhyme sounds are used throughout the poem. Each tercet follows the ABA rhyme scheme, while the concluding quatrain follows ABAA.
The rhyme-and-refrain pattern may be represented as follows:
A¹bA² / abA¹ / abA² / abA¹ / abA² / abA¹A²
Here, A and B represent the rhyme sounds, while A¹ and A² denote the two refrains. Both refrains rhyme with the A sound.
A villanelle is a carefully structured poem that:
If you’d like to explore the form further, here are a few classic villanelles:
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Author, educator, and speaker Diann Floyd Boehm began writing about twenty years ago while teaching computer classes. ‘At the time, I was not submitting my work for publication; I simply shared my stories with family and friends to gather their thoughts and feedback,’ she says, speaking with Literary Harbinger in an exclusive interaction. What began as a personal creative pursuit gradually developed into a publishing career that has seen her work with both hybrid and traditional publishers and produce books that are aimed at young readers.
Looking back on her publishing journey, Boehm describes the transition from unpublished storyteller to published author as a long one. ‘It is a story that could easily fill a book of its own,’ the writer jokes. ‘To keep it brief, I chose the hybrid publishing route, and through OC Publishing in Canada, I was able to hold my first published book in my hands.’
Boehm says that Anne O’Connell, the owner of OC Publishing, played an important role in that journey. ‘She not only believed in my stories but also guided me through the publishing world with generosity and insight. I truly would not be where I am today without her mentorship,’ she shares. Over time, the writer expanded her publishing experience and developed close professional associations with both OC Publishing and Plum Creek Press.
Boehm’s latest book, Boomer Hears the Forest: The Curious Bunny Book II, is scheduled for release on August 4. Introducing the book’s central character, she says, ‘Boomer is an inquisitive little bunny who loves discovering new things.’
‘In this story, he sets out to explore the many sounds of the forest, inviting young readers to experience curiosity and wonder alongside him,’ she adds. The forthcoming title follows the curious bunny as he explores the natural world and encounters the sounds that fill the forest around him.
Discussing her approach to writing, Boehm, who is based in Texas and whose academic credentials include a Bachelor of Science in Education from George Mason University, a Kindergarten Endorsement from the University of Texas at Austin, and a distance learning certificate from Texas A&M University, describes herself as a pantser. ‘I begin with an idea and allow the story to unfold naturally as I write,’ she explains.
‘Once the first draft is complete, I begin shaping the story until it is finished. You would call this the time I organised the story,’ she tells us. Rather than working from a rigid outline, she allows the narrative to develop before refining and organising it through revision.
Asked whether there are authors from whom she draws inspiration, Boehm says she does not follow any one writer. Instead, she is drawn to stories aligned with her current interests.
‘I enjoy both contemporary works and classics. Two that come to mind are The Far Pavilions and Beautiful Joe, each of which left a lasting impression on me,’ she shares. Boehm, who has also studied Spanish, French, and German, continues to read widely across a variety of literary traditions.
Although storytelling has always been part of her life, Boehm says becoming an author was a deliberate decision. ‘There came a point when I made the conscious decision to put my stories into print,’ she says.
‘If you had asked me in high school whether I would become an author, I likely would have laughed. My teachers might have noted my creativity as well as my need to improve my grammar. I like to think they would be proud of the journey I have taken since then,’ she shares.
Boehm says she enjoys writing during the quiet hours of the morning with birds cooing and singing in the background. She also notes that she tends to write when inspiration strikes and remains immersed in a project until it is complete. When she is not writing, she pursues a variety of creative and outdoor activities.
‘I enjoy singing, gardening, quilting, and sewing. I also like to travel with my husband, and when we can, we do some white-water rafting,’ she says. ‘I have gone rappelling, spelunking, and I have travelled by dogsled and snowmobile in the Arctic. These experiences free my mind, and before I know it, more stories are bubbling up, ready to come to life.’
Boehm currently has several projects underway, including a book for tween readers. ‘I am also revising two previously published works for future re-release,’ she reveals. ‘Besides Boomer Hears the Forest: The Curious Bunny Book II, I have another book titled Humphrey the Camel, which is scheduled for release later this year,’ she lets on. The projects add to a growing body of work that continues to span different themes and age groups.
Offering advice to aspiring authors, Boehm emphasises the importance of focusing on the stories themselves. ‘Not every author will become a bestseller or achieve financial success, and that is perfectly all right. What truly matters are the stories you have to share. There will always be readers who connect with your words and find meaning in them. Write for fulfilment. Write to give something of yourself to others. When you focus on that purpose, the motivation to continue becomes much stronger.’
She continues, ‘If you have a story within you and dream of becoming an author, I encourage you to pursue it. There can never be too many stories in the world, and there will always be someone who needs to hear yours.’
Asked what she would change in the world if given the opportunity, Boehm points to a single aspiration. ‘I would like to usher in an era of peace; it is disheartening to see how often conflict has shaped human history,’ she says. The desire for a more peaceful world is the change that Boehm identifies when reflecting on broader global concerns. With that thought, the author signs off, bringing to a close a conversation that touched upon her writing journey, creative process, forthcoming books, and advice for aspiring writers.
If you have a story within you and dream of becoming an author, I encourage you to pursue it. There can never be too many stories in the world, and there will always be someone who needs to hear yours.
~ DIANN FLOYD BOEHM
ENGAGE WITH LH | Click on the cover image of the book you wish to read and buy yourself a copy right off the bat!
A seagull he was then,
Soaring up in the clear sky.
His mates frolicking with him,
Looked at two ships nigh.
The Sun was shining when
To those ships he said buh-bye.
He saw them part their ways;
And just let out a sigh.
Passed away minutes ten,
Things went high and dry.
Water was all around though;
Sheer emptiness came by.
Clouds gathered again,
The Sun kept shining high.
Men went missing soon;
No idea how and why.
The ships now without men
Seemed eerie and awry.
The seagull soon heard a wren,
A wren that let out a cry.
A warrior who practised Zen,
Knew a tale hangs thereby.
So he took some coloured pens,
Drew this image after a try.
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‘I certainly never intended to become a full-time author; it just grew into that,’ Alan R Warren says, beginning his interaction with Literary Harbinger. What started with a few short newspaper and magazine articles gradually turned into a long journey through true crime, history, cults, and investigative storytelling. Today, the Canadian author has 39 published books to his name, released through a combination of traditional publishers and self-publishing.
Warren began writing around sixteen years ago, though his first book was not published until 2016. Since then, all of his books have remained firmly rooted in the non-fiction genre, covering subjects such as true crime, historical events, and cults. Alongside books, he has also written articles for publications including Scoop Magazine and Serial Killer over the last decade.
‘Nine of these books are books of interviews that I did with people who were involved in a particular event,’ Warren explains. ‘These include interviews with several of the Charles Manson followers, journalists, and witnesses of events such as the JFK assassination. My work has consistently centred around people who experienced major events firsthand, allowing me to build narratives through direct conversations rather than distant observation,’ he adds.
Warren’s latest book is titled Peace, Love, & Murder: The Charles Manson Story. Rather than focusing only on the murders themselves, the book explores the wider social and cultural atmosphere of the late 1960s. According to Warren, who holds a Master’s degree in Music and a Bachelor’s degree in Criminology, understanding Manson requires understanding the world around him.
‘It really tells the story of the late 1960s in San Francisco and what was going on in the city, country, and the world,’ he says. ‘Charles Manson was reactionary to everything that was going on around him.’
For Warren, the cultural environment of the time played a major role in shaping both Manson’s influence and the people who followed him. He believes the events connected to Manson could only have unfolded during that particular period in American history. ‘I believe that Manson could have only done what he did and got away with it during that time and in that place,’ he explains. ‘He would have never made it work today.’
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Alongside writing books, Warren produces and hosts the House of Mystery radio show for several radio stations and podcast platforms. Through the programme, he interviews writers, publishers, producers, and others connected to the writing and entertainment industries. Between radio work, interviews, publishing, article writing, and books, his schedule remains consistently busy. ‘Between setting up, recording, and publishing those radio interviews, I usually write about five articles per month for different magazines and work on a book daily,’ he says.
Despite the workload, Warren continues approaching each project with careful preparation and detailed research. His process begins not simply with the crime or historical event itself, but with the people connected to it. ‘After deciding on a story, I have to be able to locate as many of the people who were part of the case as I can,’ he explains. ‘This would include survivors, victims’ families, detectives, doctors, and even the culprit.’
Without direct access to the people involved, he believes the work would remain incomplete. ‘Without the major players, the book would be second- or third-hand information and not complete,’ he tells us, adding, ‘So I would not write it in that case.’
Although Warren mainly writes non-fiction, he also enjoys discussing fiction and character creation. According to him, fictional stories require the same emotional depth and understanding as real-life accounts. Character development, in particular, becomes central to the entire process. ‘This would mean that I have to create the main character and develop their own life story before I could put them into a plotted story,’ he says.
Sometimes, Warren explains, story ideas come long before the characters themselves. ‘Only after finding personalities that truly fit the narrative can the story fully come together,’ he asserts, adding that sometimes he has some different ideas for a story thought up way before any characters. ‘Only after I have some new characters, which I think would not only fit into the story but be great to watch as they handle the story, can I put it all together,’ he says.
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Warren says he generally prefers both fiction and non-fiction historical books over modern stories. Among the works he particularly admires are Mary Shelley’s Frankenstein and Bram Stoker’s Dracula. Like many readers, he first encountered these stories through film adaptations before later reading the original novels. ‘It is really quite amazing how we grow up with these stories by watching movies that were made from the books,’ he says.
Be that as it may, Warren believes reading the original novels offers a far richer experience than watching adaptations. ‘Only when you read these books do you realise that there is so much more within the book,’ he tells us. ‘Even if a really well-made movie about it was released, you would still not have enough to capture what the authors wanted us to.’
Another major influence on Warren’s creative life comes from old-time radio programmes, particularly mystery stories. He says he still listens to them every single night and continues finding inspiration in their storytelling techniques. Shows such as CBS Mystery Theater and Richard Diamond remain personal favourites.
‘The CBS Mystery Theater or Richard Diamond are in heavy rotation on my Audible player,’ he lets on. For Warren, these programmes help preserve the atmosphere and behaviour of earlier decades in ways modern storytelling often cannot. ‘Listening to them allows me to better understand how people communicated, behaved, and viewed the world during those periods,’ he says. Dated pieces of work, according to Warren, really help capture the time period in which they were made. ‘You can hear how they behaved around each other, what was important to them, and what they were living for,’ he adds.
Warren also credits these programmes with helping him improve his own ability to communicate mood and emotion through writing. ‘They really taught me how to convey to the reader what it is I am trying to say,’ he lets us know. The influence of those broadcasts appears not only in his interest in mystery and crime but also in the strong sense of atmosphere present throughout his work. For Warren, older storytelling forms continue to offer valuable lessons even today.
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Unlike writers who follow strict daily routines, Warren says his writing process depends heavily on mood and mental clarity. He usually completes his radio work and other responsibilities first before attempting to write in between those tasks. Rather than forcing himself into rigid schedules, he prefers working when ideas naturally come together.
‘If I am not in the correct mood, or have too many things on my mind, I probably will not get my good work done,’ he explains. Ideas often arrive unexpectedly, especially while walking his dogs or handling completely unrelated activities. According to Warren, creativity works best when everything around him feels balanced.
‘For my writing to work, everything around me has to come together in the right way,’ he says. ‘That flexibility allows me to move naturally between interviews, articles, radio work, and books without separating creativity into strict compartments,’ he adds.
Despite interviewing writers for nearly fifteen years and attending numerous book events, Warren says becoming an author was never part of a larger plan. The transition happened gradually and unexpectedly through opportunities that emerged during his radio career. Looking back, he still speaks about it with a certain sense of surprise.
‘It began while I was hosting a radio show in Seattle, and a few newspapers and magazines had asked me to write some short articles for them,’ he recalls. One of those articles eventually attracted the attention of a publisher, who approached Warren about writing a book. What followed was a steady expansion of opportunities and projects.
‘After my first book became a hit, I began to get some offers, and the journey began,’ he recounts. Over time, writing transformed from a side activity into a full-time profession. Even now, however, Warren’s description of that transition remains grounded and straightforward rather than dramatic.
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Warren is currently working on a crime fiction story inspired by a real event that took place in Seattle during the 1960s. The story follows the murders of the Chapman family, who were mistakenly targeted by an anti-communist group. As with much of Warren’s work, the fictional narrative remains closely connected to historical reality. ‘It follows the murders of the Chapman family, who were mistakenly murdered by an anti-communist group that believed they were someone else,’ he reveals. Several characters in the book are based on real individuals Warren interviewed over the years. His tendency to combine research with storytelling continues even when writing fiction.
Outside of writing, one of Warren’s major interests is operating a small dog rescue, where he takes in older small- and medium-sized dogs from the Society for the Prevention of Cruelty to Animals. The work remains an important part of his life away from books and broadcasting. Clearly, it also reflects a quieter and more personal side to someone whose professional work often focuses on crime and violence.
When asked what advice he would offer aspiring writers who become discouraged by rejection or criticism, Warren answers immediately: Keep going back every day. Persistence, according to him, matters far more than outside approval or temporary setbacks.
He believes writers should remain focused on their own voice rather than becoming distracted by trends or public expectations. ‘I would ask them not to lose focus on what they want to say or why they want to say it,’ he explains. ‘Try to avoid as much of the surrounding noise as possible. It will only take you off your game.’
Most importantly, Warren believes authenticity matters more than pleasing others. ‘Do not write for other people, or what you think those people would like,’ he says. ‘Write for yourself, and what you would like them to know about you,’ he declares, signing off with a smile.
Do not write for other people, or what you think those people would like. Write for yourself, and what you would like them to know about you.
~ ALAN R WARREN
ENGAGE WITH LH | Click on the cover image of the book you wish to read and buy yourself a copy right off the bat!
PS: The author’s remaining books can be found here.
Book: Sweet Southern Charm – A Short Murder Mystery
Genre: Mystery thriller
Author: Lanie Goodell
Rating: 4.5/5
Reviewer: B Sudharsan
Sweet Southern Charm by indie author Lanie Goodell is not as sweet as its title suggests. It is a murder mystery after all, so it is supposed to be anything but sweet! The incredibly fast-paced story proves to be an interesting read, though. At least, I found the story refreshing, and after reading the story, I got the feeling of having read a crime novel in its entirety.
I suppose the reason for my feeling so is that Ms Goodell variegates the story by adding elements of mystery, romance, love, hate, and friendship – elements that you are sure to find in a crime novel. Furthermore, she does a great job of transporting the reader to the scenes she describes powerfully, employing crisp adjectives and vivid verbs. I took about half an hour to complete reading the book, but if you happen to be a slow reader, you might take about forty to fifty minutes to finish it, that is, if you read it in one go.
Sweet Southern Charm begins with an interaction between Janet Cramer, a ‘trashy’ woman living in a posh locality, and Chester Barfield, a guy masquerading as an employee of a company that offers a free assessment of personal security. The latter manages to make an entry to the former’s house, and it is what ensues that makes the story. Janet is found murdered, and investigator Georgia Beaumont and her subordinate Collin Cavanaugh are consequently roped in to figure out who perpetrated the crime. While the story on the one hand fast unravels the mystery, it also details the love-hate relationship Georgia and Collin share on the other.
Investigating the neighbours of the victim does form an integral part of the story, which also witnesses another murder bearing striking similarities to the first. A lady around the same age as Janet’s is found dead, and her body, like that of Janet, bears no wounds. Also, an eerie resemblance exists in the manner in which the dead bodies are left after the murder. All of this indicates that the perpetrator is a professional who knows his job well.
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Nonetheless, there is something that Georgia seems to be missing, something that she feels can provide a crucial link between the two cases. This ‘missing link’ adds magic to the story, thereby ensuring the reader continues to read with rapt attention. And why the book is titled the way it is titled is known thereupon.
Having said this, I think it is also important for me to mention that I unearthed the suspense halfway through, so a large part of my reading happened only to find out if what I had surmised was correct.
I would recommend this book to lovers of crime fiction who don’t have the time to sit through a long novel or who are perhaps looking forward to reading something interesting before hitting the hay. I myself happened to read this book last night, and I did not regret picking it up. It is free on Kindle Unlimited.
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